크리스마스 이브 작은 마을에서 평생을 성실하게 살아온 평범한 남자 조지 베일리는 파산 선고를 받게 된다. 뾰족한 묘수가 없는 조지 베일리는 자신의 삶은 실패라고 자책하며 자살을 결심한다. 이 때 수호천사가 나타나게 된다. 다음은 주요 대사임.
"A branch is shaken on the Christmas tree, and a bell on the branch starts to jingle. Zuzu cries out "Teacher says 'Every time a bell rings, an angel gets his wings.'" George looks skyward and says "That's right." He winks upward and says "atta boy, Clarence," knowing who has received the wings for a job well done."
"As he stands in his beloved home, surrounded by his family and the neighbors he has come to love, George Bailey truly grasps how wonderful his life has been, and realizes that a human life—no matter how wretched—is always worth living, if lived for the sake of the people that one loves."
"Where’s that money, you silly stupid old fool? Where’s that money? Do you realize what this means? It means bankruptcy and scandal and prison. That’s what it means. one of us is going to jail. Well, it’s not gonna be me!"
"I knew if I were drowning, you’d try to save me. And you see, you did. And that’s how I saved you."
"Strange, isn’t it? Each man’s life touches so many other lives, and when he isn’t around he leaves an awful hole, doesn’t he?"
"Clarence! Clarence! Help me, Clarence. Get me back. Get me back. I don’t care what happens to me. Get me back to my wife and kids. Help me, Clarence, please. Please! I want to live again! I want to live again. I want to live again. Please, God, let me live again."
"Look at you. You used to be so cocky. You claimed you were going to go out and conquer the world. You once called me a ‘warped, frustrated, old man!’ Who are you but a warped, frustrated young man, crawling in here on your hands and knees begging for help. No securities, no stocks, no bonds. Nothing but a miserable little five hundred dollar equity in a life insurance policy. You’re worth more dead than alive."
2차 대전 직후인 1946년 미국 프랑크 카프라 감독이 만든 흑백영화이다.
은행 자본가를 경멸하고 보통사람을 찬양한 영화라고 미FBI로 부터 공산주의찬양 영화로 찍히기까진 영화이다. 영화의 모태인 단편소설을 아래 첨부한다. CBS 라디오 파일 (약 40분간) 을 다시 다 들을 여유가 없을 것 같아서 소설을 카피한다.
Dear George:—
Remember no man is a failure who has friends. (친구가 있는 한 결코 실패자가 아나라는 것을 명심해!)
Thanks for the wings!
Love
프랑크 카프라 감독처럼 이태리 출신 감독 영화인 'Life is beautiful'의 메시지처럼 '사람이 살아 있는 한 인생은 정말로 아름다운 것'이라는 감동을 느끼는 크리스마스 고전적인 영화이다.
영화의 끝에 우리 학교 다닐 적 졸업식장에서 불리어서 귀에 익숙한 ' 스코틀랜드 민요' 올드 랭 사인' 삽입곡 때문에 더욱 또렷한 이미지를 기억하게 한다.
다음은 영화평 카피이고 짤막한 단편소설을 카피해서 함께 올린다.
------------------------------------
Why a yearly dose of Jimmy Stewart is important. by Dimitra Giannakoulias
About 15 years ago, when I was a teenager rebelling against all things trendy and modern, I developed an interest in old black and white movies. I read biographies of Hollywood’s early stars. I idolized Greta Garbo and Marlon Brando. At Christmastime, I noticed that Frank Capra’s It’s a Wonderful Life was listed yet again in the TV guide, and I decided to watch it for the first time. But something – was it busyness? forgetfulness? stood between me and the film. I didn’t see it that year, or the year after, or the year after that. Many holidays came and went without my ever making acquaintance with George Bailey. Finally, this year is different. At the behest of a friend, I checked out the video at my local library. It seems that some things do happen for a reason. Had I seen the movie 15 years ago as I had planned, I might have rolled my eyes (as many of Frank Capra’s critics did, dismissing his movies as "Capra-corn" flicks). But now, older, wiser (hopefully), and less cocky, I found myself surprisingly stirred by the emotional pleas in the film.
Frank Capra said that he wanted the movie to give one clear message: that no man is a failure, and that every person’s life counts. The movie does successfully transmit that message, but it didn’t seem to resonate much when it premiered. Critics gave it lukewarm reviews. Then it went off Hollywood’s radar screens so completely that it actually lost its copyright. It took decades for the film to reach its current "classic holiday film" status.
Frank Capra said that he wanted the movie to give one clear message: that no man is a failure, and that every person’s life counts. The movie does successfully transmit that message, but it didn’t seem to resonate much when it premiered. Critics gave it lukewarm reviews. Then it went off Hollywood’s radar screens so completely that it actually lost its copyright. It took decades for the film to reach its current "classic holiday film" status.
Watching this movie, I could see a little bit of myself in the beleaguered hero, George Bailey. And I’m sure that most other people can see themselves in him, too. I suspect that people these days identify more strongly with George than audiences did when the film first appeared in 1946. That would explain why it has gained so much popularity over time. We now have more personal freedom than our counterparts did 50 years ago, but also many more uncertainties, insecurities, and, I believe, more personal responsibility over our lives. So George’s trials, the consequences of the life he chooses to lead, and the painful sacrifices he makes – have become more relevant – and more poignant – for people living in the 21st century.
What’s a bit jarring about It’s a Wonderful Life is its honesty. Holiday films, and a lot of films from that era, tend to gloss over life’s darker moments. Inner turmoil is downplayed, and conflicts are presented as mere temporary challenges to give people a chance to exceed their limitations. People always rise to the challenge with relentless courage and optimism. But not in this movie. The transformation of George from a bright-eyed youth brimming with zest for life to a broken and embittered man is…uncomfortable to watch. For a time, in the middle of it, George becomes "comfortably numb", until his worst crisis hits and he’s on the verge of total collapse. While few people (thankfully) are driven to the point of jumping off a bridge, most of us can understand George’s frustration and anguish. People in the more structured world of the 1940’s may have looked at our hero with limited sympathy: "That’s life, George. Now get over it."
"What’s the matter with him? Is he sick?"
"No, worse, he’s discouraged!"
Lost dreams are heavy burdens indeed. We’ve all felt the weight of responsibility bearing down on us too hard. But this movie affirms that, despite it all, the world is governed by a deeper justice. Good people are ultimately recognized for their goodness, and they are saved and rewarded by a higher power. As tough as things get, we do live in a good world. Watching the film gives us hope that we, too, will be recognized for our goodness and get what we deserve.
It’s a Wonderful Life easily could have been a kitschy movie. For some people, I’m sure it still is (certain things, yes, are a little "Capra-corny" – like the image of galaxies and stars flashing when heavenly angels talk. But, hey, it was 1946). And the premise that guardian angels protect us could be, well, sappy for some and distasteful to others. But regardless of our religious beliefs, this movie does appeal to a common human desire to be "saved," to have that angel watching over us. It’s part of our heritage, just as much as the ‘holiday’ virtues promoted by the film: community, gratitude, charity, and family.
But beyond these virtues, the bigger contribution of It’s a Wonderful Life to the holiday spirit is its tribute to the common man. It affirms the value of all lives. In a society where exciting, glamorous lifestyles of the rich and famous are exalted in the media, we need to hear Capra’s message reiterated that a humble, "ordinary" life is anything but. After Clarence the angel shows George that his seemingly mundane life is absolutely vital to the health of the community and the well-being of his loved ones, we all revel in George’s personal triumph. We all want to be great, to do good, to effect positive change and to help others. Upon a little reflection inspired by this movie, we can all feel great satisfaction knowing that yes, indeed, we have made a difference in somebody’s life, however long-term or ephemeral. And we are reminded once again that it’s the simple things that truly matter – love, family, service to others – and not the fulfillment of grand, glamorous dreams. Those add flavor, but they’re not the meal itself.
Why is this so important at Christmas? It’s interesting how many holiday movies are about journeys. Life journeys, adventurous journeys, harrowing journeys, journeys with conflicts and
resistance and obstacles to overcome. It seems that we need these journeys in order to appreciate and get back to the essentials – family, love, relationships, home. During the rest of the year it’s easy to forget the basics and get caught up in the ups and downs of life. But then we watch a movie like It’s a Wonderful Life and we’re reminded that the daily grind doesn’t matter so much. Our sufferings are redeemed. They’re worth it. George’s life is worth his sacrifices. That’s what’s so profoundly important – and uplifting – about the movie and the holidays in general. People continually search for the meaning of life, but once a year, however briefly, the meaning becomes clear. It is in the giving and sharing and exchanging, and good that we do. Of course it sounds cliché, but it’s true. And there’s nothing dull or ordinary about it. Everybody has something to contribute, great or small, in making the world a better place.
Clarence earned his angel wings, George got his business back, and Mr. Potter (the necessary villain)….well, let him be till his time comes, the poor guy is miserable enough. Life’s too short to concern ourselves with the pettiness of others. Give, and you shall receive. That’s what Christmas is about, and that’s what we can remember a little more often year-round. Like our hero, we, too, will get what matters most to us.
Happy Holidays Everyone!
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올드랭사인 (Auld Lang Syne) /하모니카연주/모리모토
and never brought to mind?
Should auld acquaintance be forgot
and days of auld lang syne?
Chorus:
For auld lang syne, my dear,
for auld lang syne,
we'll take a cup of kindness yet,
for auld lang syne.
We twa hae run about the braes,
And pou'd the gowans fine,
But we've wander'd monie a weary fit,
Sin auld lang syne.
And here's a hand, my trusty friend
And gie's a hand o' thine
We'll tak' a cup o' kindness yet
For auld lang syne.
다시 생각하지 않을까?
정든 친구들 어찌 잊으며
그리운 시절 어찌 잊을까?
합창:
지나간 그리운 시절위해
이보게, 그리운 시절위해
우리 우정의 잔을 함께 드세,
그리운 그 시절을 위하여.
우리 둘은 언덕에서 뛰놀며
예쁜 데이지 꽃을 따 모았지, 하지만
우리는 오랫동안 지친 발로 여기저기
헤매 다녔어 그 시절 이후 내내.
그래 악수하세 내 믿음직한 친구여
자네 손을 주게나.
우리 우정의 잔을 함께 드세
그리운 그 시절을 위하여.
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